Casino di Villa Doria Pamphilj – a symbol of social status and a tool of international rivalries

Casino di Villa Doria Pamphilj, fountain on the axis of the façade

Casino di Villa Doria Pamphilj, fountain on the axis of the façade

Near Janiculum (Gianicolo), where in the past Julius Caesar built a palace for Cleopatra, in a broad park, a fancy, suburban villa was erected in the Palladian style (1644-1652). Its owner was the ex-Cardinal Camillo Pamphilj, the nephew of Pope Innocent X and the son of the famous Olimpia Maidalchini. All of them, besides perhaps the pope himself, suffered from an inferiority complex of lower social status in Rome, which this very building (and others as well), was supposed to raise and improve.
Casino di Villa Doria Pamphilj, fountain on the axis of the façade
Casino di Villa Doria Pamphilj
Casino di Villa Doria Pamphilj
Lower garden in Casino di Villa Doria Pamphilj
Casino di Villa Doria Pamphilj
Casino di Villa Doria Pamphilj, view from the park
Casino di Villa Doria Pamphilj, foot of the residence
Casino di villa Doria Pamphilj surrounded by the garden and park, drawing of Giambattista Piranesi, XVIII century
Near Janiculum (Gianicolo), where in the past Julius Caesar built a palace for Cleopatra, in a broad park, a fancy, suburban villa was erected in the Palladian style (1644-1652). Its owner was the ex-Cardinal Camillo Pamphilj, the nephew of Pope Innocent X and the son of the famous Olimpia Maidalchini. All of them, besides perhaps the pope himself, suffered from an inferiority complex of lower social status in Rome, which this very building (and others as well), was supposed to raise and improve.

The full name of this suburban residence is Casino di Villa Doria Pamphilj, and the word villa here is understood as a park, in which the casino, meaning villa is located. Other names that we can come across are Casino del Bel Respiro, Villa Algardi, or Casino dell’Algardi (from the surname of its builder).

The work on the building and its decorations was taken up by artists protected by the Pamphilj family – Girolamo Rainaldi, Alessandro Algardi and Francesco Grimaldi. The park surrounding the villa was designed as a great work of art with fancy trees and bushes adding to its splendor. The estate was also to be an evidence of the artistic aspirations of the pope and his family. After Camillo resigned the cardinalate and married Olimpia the Princess of Rossano, it was in turn supposed to be a symbol of the refined tastes of the married couple. Works of antique art were collected here, enriched by contemporary bas-reliefs and wall paintings showing various parts of landscape (Grimaldi). Works of art were shown inside the building, which served solely representative and collection purposes, as well as on its façade and in the park itself.

The hexagon shaped building itself, is situated on a high base and is surrounded by a garden patterning it after antique villas. This pearl of architecture has niches with statues, busts and bas-reliefs in the main garden façade. The man behind the idea of this conservation and architectural complex was – as mentioned before – the architect and sculptor Alessandro Algardi and it was in him that the sponsor found an ideal creator of his residence, which was supposed to put to shame similar Roman residences located in broad park complexes – of the Medici family on Pincian Hill (Villa Medici) and the even grander Villa Borghese – the significant work of Cardinal Scipione Borghese from the Borghese family.

The casino belonged to the Pamphilj family until 1760, when it was taken over by the Genoa-based Doria family. At that time most of the collections were moved to the palace at via del Corso (Palazzo Doria Pamhilj). Presently the building (since 1957) is owned by the Italian state and is used for representative purposes.

Some parts of the casino can be visited after prior reservation.  Generally this facility is not open to the public.

Whoops, looks like something went wrong.